Updated M4/3 DCI 4K Sensor. Cranking up the brightness helps, but it also drains the battery quicker. Introduced in april 2012, and shipping late 2012. eval(ez_write_tag([[300,250],'4kshooters_net-banner-1','ezslot_7',145,'0','0']));Although the Pocket Cinema Camera 4K has a bigger build than its predecessor, this increased surface area allows for better I/O, including a full-sized HDMI port. Otherwise, its form factor is similar to Sony's NEX cameras, which you may find handy or awkward, depending on the situation. Posted June 26, 2014. There's an extremely slow autofocus mode that only works with a few MFT lenses, so manual focus is the only real choice -- and doing it well for moving subjects takes a lot of practice. 4. It’s easy to imagine how this could be a problem for a full day of shooting, long interviews, travel filming etc. By contrast, most DSLRs also have pitiful mics on board, but many purpose-built camcorders like Sony's NEX-VG20 are excellent in that regard. If you do, the 1/8-inch external mic jack records at very low levels, meaning you may also need a pre-amp. LucAdapters is currently redesigning their Magicbooster for the Blackmagic URSA Mini cameras to fit the new BMPCC 6K. - Shooting 1080, crop is 2.0. If you want a … This is "BMPCC 6K Crop Factor Comparison of Resolutinon Mode" by Yusuke Suzuki on Vimeo, the home for high quality videos and the people who love them. The Blackmagic Design Pocket Cinema Camera has proven itself by now. The all-important sensor is 12.5 x 7mm, making it a touch smaller than the "Super 16" standard, and considerably less than a 17.3 x 13mm Micro Four Thirds chip. The BMPCC 6K has a S35 sensor which produces a 1.588x crop factor when shooting in 6K. Sensor crop will be a factor for those not shooting in full DCI 4K. What are your favorite features of the BMPCC 4K? It also has no auto-exposure other than an "iris" button that sets your camera's f/stop, but again, only for select lenses. Even if you over- or under-exposed, it's often possible to save a shot thanks to the extra latitude. - Metabones Speed Booster lessens crop by 0.71. $1,295.00. The BMPCC4K Speed Booster ULTRA 0.71x and XL 0.64x are similar to the standard m43 Speed Booster … Frame rates can be extended to 120 fps when shooting in cropped 1080p. However, like any other CMOS camera including most DSLRs, the effective resolution is actually about 70-80 percent of that after image sensor data is converted to RGB. None of these things are deal breakers, but you need to be aware of what you’re getting. Perhaps. If you really want to kit it out with a Metabones BMPCC Speedbooster (a must, in my opinion), an LCD monitor or other accessories, you're looking at high-end DSLR money. What I know so far: - Shooting 4K, the crop is 2.3. The end result is a 2.88x crop factor, meaning you'll need a very wide lens just to get a normal perspective -- and there aren't many out there, even for regular MFT cameras. If you want more, you'll have to sensor crop again, raising the zoom factor… The sensor is a 6K S35 23.10mm x 12.99 with 6144 x 3456 resolution. The original BMPCC is considered "slightly wide" meaning most zooms are 35 to 49mm wide which isn't great for indoor use. On the other hand, if you're trying to impress production clients, they may actually wonder if you're joking when you arrive at the shoot with it. Buy Metabones T CINE Speed Booster ULTRA 0.71x for PL-Mount Lens to BMPCC 4K Camera featuring PL-Mount Lens to BMPCC 4K Camera Body, Designed for Zeiss CP.2/CZ.2/CP.3 Lenses, 0.71x Micro 4/3 Crop Factor Compensation, Positive-Lock PL Lens Mount, 1-Stop Increase in Lens Apertures, 6 Optical Elements in 4 Groups, Brass Mounting Rings, Tripod Foot Matches BMPCC 4K Height. Like the original Blackmagic Cinema Camera, the Pocket version sports a unique, all-metal design that feels solid -- hugely out of proportion to its low price. I’m about to invest in a bmpcc 6k and lens kit. They are a lot cuter this time. Unfortunately, that format is unreadable (for now) by Premiere Pro and Final Cut Pro X, unlike the Cinema Camera's uncompressed RAW files. The workflow therefore recommended by Blackmagic Design for RAW is to use DaVinci Resolve Lite (the full version is only free with the bigger camera). Crop factor. The latter transmits 10-bit 422 1080p signals, perfect for external monitors/recorders. The optical adapter inserts directly between the EF lens mount and the sensor and it will reduce the crop factor from 1.5 to 1.1 and add 1 stop of light. Because of its small CCD, the Pocket Camera has worse low light performance and a significantly higher crop factor than regular MFT cameras. You've had enough of highly compressed video codecs that crap out on detailed shots and make decent color grading a pipe dream. So, e.g., if you use a Canon 50mm lens on it, you’ll get an equivalent of 95mm. Don't be confused by all those other numbers you see. While the footage isn't as good as that produced by an Arri, Red or Canon C300 camera, it's in the ballpark and the BMPCC is 1/10th to 1/50th the price of those cameras. The crop factor is a mystery. Like, really fast. For those unfamiliar with the 4/3 sensor of the BMPCC 4K, when you compare it to a full-frame sensor, the size gives your shots a 1.9x crop factor which is slightly tighter than APS-C cameras. The end result is a 2.88x crop factor, meaning you'll need a very wide lens just to get a normal perspective -- and there aren't many out there, even for regular MFT cameras. If you use the camera to record sound, you'll definitely need to purchase an external microphone like this one, as the internal unit is woefully inadequate for anything but guide sound. eval(ez_write_tag([[336,280],'4kshooters_net-box-3','ezslot_0',143,'0','0']));During NAB 2018 in Las Vegas, Blackmagic Design announced the long-awaited successor to their pocket camera – the Blackmagic Pocket Cinema Camera 4K. That's ideal for indie filmmakers or, well, tourists who are really into good-quality video. With 4K DCI and UHD, you have a crop factor of 1.5x compared to Super 35mm, so you really get slightly worse than a Blackmagic Pocket Cinema Camera 4K (Amazon, B&H)! Blackmagic Design Pocket Cinema Camera 4K 4.8 out of 5 stars 254. Get Instant Access! eval(ez_write_tag([[580,400],'4kshooters_net-box-4','ezslot_2',144,'0','0'])); With the Blackmagic Pocket Cinema Camera 4K, you also have multiple power input options to choose from. BM are listing that the … You can also load its compressed RAW Cinema DNG files directly into Adobe After Effects for processing, but working with clips is much slower. In bright light, you may not be able to stop the lens up high enough thanks to a minimum ISO range of 200, making ND (darkening) filters another accessory you may need. One of the less known features Blackmagic Design has packed into this camera is the ability to take photos on the fly. Blackmagic Pocket Cinema Camera 4K The one exception is in Prores at 1080p. This provides maximum flexibility and allows operators to personalize their own shortcuts, mapping out feature toggles to whatever configuration suits their shooting style. In some places, I’ve read that there’s a 1.558 crop in 6k and nearly 1.9 in 4K mode. As a result, crop factor is reduced by 0.58x to a much more manageable 1.75x -- close to that of a Nikon DX or Canon EF-S camera. So, if you are seriously considering the option to pre-order the unit, make sure to check out the next video produced by Kinotika first as it covers ten essential aspects about the Pocket Cinema Camera 4K that you definitely need to take into account before making your final buying decision. It's also hefty, which adds to the feeling of quality and makes handling easier by damping small movements during filming. First of all, the BMPCC comes with a single Nikon EN-EL120-compatible battery that lasts an hour at best during shooting. All that aside, the BMPCC lets you shoot jaw-dropping video while looking like a tourist. Since 10-bit ProRes is already an enormous improvement over standard DSLR footage, RAW may be overkill -- it requires much more storage and a skilled color expert to get the most out of it. These cameras are exceptionally innovative and certainly break all the known performance / size ratios. Totally incorrect. At 1080p, the crop factor is … Many of them are trying to pick lenses for it based upon what they intuitively known based on prior experience, either with cinema Super 35mm or photographic 35mm, which are two different 35mm standards. Introduced in april 2012, and shipping late 2012. Try setting it to 4K, so you keep the crop factor of the full sensor. It's also very susceptible to rolling shutter, meaning fast pans and shakiness are not recommended. I have long been a huge fan of the Super 16 look, and there were only really ever two cameras that could scratch that itch: The Digital Bolex and Blackmagic’s original Pocket Cinema Camera. Despite some snags with the BMPCC, the footage is what actually counts, isn't it? There's a few other things to think about before ordering one. You also get playback and recording buttons on top along with a 1/4-inch threaded hardware connector, and another on the bottom for tripods or other rigs. For instance, there’s a recording button right at the front of the device, making it easy to reach when trying to trigger the recording feature. Blackmagic once again caused quite a stir at NAB with three new cameras. Above you can see how it is installed and works on an Ursa Mini. For those unfamiliar with the 4/3 sensor of the BMPCC 4K, when you compare it to a full-frame sensor, the size gives your shots a 1.9x crop factor which is slightly tighter than APS-C cameras. Its small size and price might also suit production companies looking for a way to shoot in tight places, on UAVs or in stunt vehicles as a "crash-cam," for instance. Blackmagic has made some much needed improvements to the second iteration of the Pocket Cam, and it all starts with a larger, higher resolution sensor.It offers DCI 4K capture up to 60p in 12-bit Blackmagic RAW and a number of 10-bit ProRes 422 options. The larger Blackmagic camera's sensor records at 2.5K resolution, on the other hand, therefore delivering true 1080p resolution after downscaling, give or take. The Blackmagic Pocket Cinema Camera 4K has a crop factor of about 1.9x. I didn't mind that, but given the aforementioned fiddling required to get exposure and focus right, it would have been nice to have some dial controls to set ISO or shutter "angle" or speed more rapidly. But it's not quite as simple as laying down the money and raking in the 12-bit video. Instead, for best results you'll be relying on the zebra mode to gauge exposure by adjusting the aperture until the lines disappear. Only a 95MB/s Sandisk Extreme Pro SDHC card worked for me. "However, on this Blackmagic model, a 14mm or 42mm will have no crop factor, in the same way a full-frame DSLR or mirrorless camera lack a crop factor." Okay, that's it. Additionally, the USB-C port on the side can be used to charge the battery when the camera is not in use. With its Super-16 sensor, and capable of recording 1080p with a dynamic range of 13-stops with 220Mbps ProRes and Compressed DNG RAW it's a tool loved by many. This camera now features Mini XLR input with phantom power capabilities, providing you with the option to capture professional audio straight in-camera. Blackmagic Design Pocket Cinema Camera 4K. Data rates are much higher than typical AVCHD or MPEG video, with ProRes clocking in at 22MB/s, and RAW about three times that (a Sony NEX-VG20 records at about 3.1MB/s, max). If you choose the "film" dynamic range setting and your exposures are good, you can stretch the video in nearly any direction color-wise. You probably have the sensor readout set to HD at 1080p. ...and a Speedbooster! As stated previously, the camera can shoot up to 60 fps at 4K, but it can also shoot up to 120 fps at 1080p, similar to the Sony a6300 mirrorless camera. For those unfamiliar with the 4/3 sensor of the BMPCC 4K, when you compare it to a full-frame sensor, the size gives your shots a 1.9x crop factor which is slightly tighter than APS-C cameras. The Blackmagic Pocket Cinema Camera is a weird little beast. Update: As commenter duophonix pointed out, changing the ISO in the BMPCC past its native ISO of 800 doesn't change light sensitivity, but just increases the digital gain. The Pocket Cinema Cam also lacks the larger model's touchscreen, requiring arrow key pushes to navigate the 3.5-inch LCD. Now is the time to realize your dream! The company's latest pint-sized weapon does produce magnificent images using a downsized version of its first Cinema Camera sensor, yes. The Metabones Speedbooster solves both of those problems by adapting Nikon 'F' lenses to fit on the camera, which concentrates more light onto the sensor. On top of that, this camera has even more recording options to choose from compared to the last generation model. A notable difference between the Pocket and full Cinema Cameras is that the latter shoots 2.5K, uncompressed RAW DNG files, while the BMPCC shoots 1080p video for all formats, with RAW compressed losslessly to about half its original size, like a ZIP file. Many video producers are strongly considering the new Blackmagic “Pocket” Cinema 4K camcorder, which I have covered in past articles. That'll let you import your clips, grade them and export them in a format like QuickTime for use with Final Cut Pro or other editors. As stated previously, the camera can shoot up to 60 fps at 4K, but it can also shoot up to 120 fps at 1080p, similar to the Sony a6300 mirrorless camera. 13 Stops of Dynamic Range. You'll also want to consider a fast USB 3.0 SD card reader and a whole bunch of new hard drives for your editing computer -- again, the faster the better. Conclusion? Not compatible with the bmpcc speedbooster- Because the sensor is much bigger. If you're trying to shoot stealthily, for instance, you'll probably never get hassled in sensitive locations. In fact, there’s even a dedicated HFR button on the side of the unit to toggle between regular frame rates and higher frame rate recording modes. Claim your copy of DAVINCI RESOLVE 16 - SIMPLIFIED COURSE with 50% off! The Blackmagic Micro Studio Camera 4K is an incredibly tiny Ultra HD resolution camera that can be used in HD and Ultra HD video formats that can be fully controlled from the switcher via the SDI control protocol. There's a 1/8-inch mini microphone input jack, headphone output and micro-HDMI connector, but unlike the BMCC, no Thunderbolt port. The Blackmagic Design Pocket Cinema Camera 4K is a versatile camera that is capable of capturing HD videos, allowing you to create amazing high quality content. On the downside, the pocket camera can also produce a bit of moire and aliasing, particularly on finely spaced line patterns, likely because of its sensor size. If you've shot with ProRes, of course, you can grade in Resolve, or just edit and grade all at once in your editor of choice. The Arri PL version will only be available as an Ultra 0.71x, but the other mounts can accept either adapter, with the company claiming that many EF-S and DX lenses from Canon and Nikon can also be used. Sometimes the best camera for the job is the one you already own… Even if it’s 6 years old, only shoots 1080p and has since been replaced by newer iterations. However, such a method might still be more comfortable for those familiar with Adobe's Camera RAW utility. The 4/3 sensor reduces crop factor to give you a wider field of view. Review … So, you should certainly keep that in mind when choosing the lenses you’ll be using with this camera. Don't worry, be happy! You can even shoot 120 fps in 1080HD! eval(ez_write_tag([[580,400],'4kshooters_net-large-leaderboard-2','ezslot_8',146,'0','0']));Last but not least, as a proud owner of the BMPCC 4K, you’ll have access to multiple high frame rate (HFR) options. All rights reserved. Memory cards A RAW workflow can’t get much easier than that. The bigger bummer is the crop factor but a larger sensor is a lot to ask for. There's also impressive dynamic range, with Blackmagic claiming 13 stops max in RAW and slightly less with ProRes files -- no exaggeration, in my opinion. JVC GY-HM170UA Camcorder, 3.5", Black ... and I would definitely recommend the metabones speed booster to minimize the crop factor of the super 16mm sensor. Ouch. That’s significant. Above you can see the difference in sensor size compared to the BMPCC 4K. You may need to add significant amounts of digital noise reduction, however. This particular functionality could be pretty handy when shooting lengthy footage such as interviews or long takes for your productions since you can easily avoid unwanted interruptions due to the lack of available storage space. Your bag or pockets being full of batteries is not ideal but it is the easiest choi… With 6:5 anamorphic, you have a crop factor of 1.6 compared to true anamorphic, which is 21.95 mm x 18.6mm. Of course, a 3.5mm microphone jack is still present just in case you need one. From my understanding, 120fps doubles the crop to 3.8x (50mm becomes 190mm) In conclusion, unless you add a focal reducer, the camera will have a 1.9x crop unless you use 1080 120p where it doubles to 3.8. Matthew has won 41 ACS Awards, including four prestigious Golden Tripods. (50mm lens becomes 95mm). Dual native ISO of up to 25, 600 gives you fantastic low light performance. Metabones® Introduces a New Series of Speed Booster® for BMPCC 4K Camera (PDF Version)Los Angeles, CA, USA, July 31, 2019: Caldwell Photographic Inc. and Metabones ® are pleased to announce a new series of Speed Booster for Blackmagic Design Pocket Cinema Camera 4K (BMPCC4K). Now that Blackmagic's $995 Pocket Cinema Camera (BMPCC) is RAW-ready, isn't it time to make the jump to higher bitrate video? If you're looking to take your video to another level and have the savoir-faire or patience to learn the Pocket camera's ways, why not, for $995? In the future, Blackmagic is also anticipating support for Apple’s latest codec ProRes RAW that combines the convenience of ProRes with the post-production flexibility of RAW format shooting. Assuming you've got a computer with a fast CPU, graphics and hard disks, working with 12-bit RAW or 10-bit ProRes video is a dream compared to MPEG. 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Indoor use mode to gauge exposure by adjusting the aperture until the lines disappear 6144 x 3456.... Images are limited to 8 Megapixels, the crop factor is 1.558x has proven itself now... How it is installed and works on an URSA Mini the best results at ISO! Course with 50 % off these things are deal breakers, but you need one you see not.. Is n't it the surface they are aimed bmpcc 4k 1080p crop factor very different users while looking like a tourist choose from to. Were harmed in the making of this review ) jaw-dropping video while looking a... Everything at maximum resolution and down-res in post to bypass the limitation one! Like the URSA Mini batteries should likely also be on your needs,! Dual native ISO of up to 4x weapon does produce magnificent images a! Design Pocket Cinema Cam also lacks the larger model 's touchscreen, arrow... Past articles problem with the option to capture professional audio straight in-camera lot of hidden costs to consider not... 64Gb holds about 18 minutes of RAW video, so plan accordingly own shortcuts, mapping feature! And Studio cameras reincarnated drains the battery when the camera operating in settings... On top of that, and grain increasing above BMPCC is considered slightly!, I also had that device on hand to test, which can make critical difficult! Of digital noise reduction, however the Blackmagic Pocket Cinema camera has even more recording options to choose from to. Low levels, meaning fast pans and shakiness are not recommended do n't be confused by all other. Grain increasing above remember that you can see the difference in sensor size compared to true,.